This film presents a startlingly strange, undeniably entertaining true-life story emerging from American showbusiness; an endearing hit whose feelgood flavour does little to warn you for how the plot frequently and brutally turns like an unsafe fairground ride. I actually had myself shutting my eyes and mouth open at certain key points, while clutching the chair ahead with both fists.
The couple Mike and Claire Sardina, terrifically played by Hugh Jackman and Kate Hudson, were a Milwaukee married couple who had children from previous relationships who in the 90s formed a kitschy homage performance to Neil Diamond named Lightning and Thunder; they grew into an underground sensation in their home state and even opened for Pearl Jam, whose guitarist Eddie Vedder amiably accompanied them on stage for an encore.
But things were far from simple for the pair, and this movie contemplates how tough it is when misfortune's bolt strikes more than once.
The film is actually based on a prior documentary film bearing the identical name from 2008 from filmmaker Greg Kohs about this stranger-than-fiction world, a movie that relied heavily reliant on the couple’s family archive of home video. One could argue that the documentary focuses more intently on the unrealistic and ridiculous elements in the lives of Mike and Claire.
Yet this is not the approach this film from writer-director Craig Brewer reinvents their story. The director and stars turn the laugh-at into laugh-with. Jackman delivers a masterful performance portraying a Neil Diamond tribute artist, vocalizing in a remarkably similar manner, and appearing strikingly alike. He is entirely believable as an individual not destined for in the big league but who undoubtedly possesses the talent (and the vocal cords) to carry a show.
Hudson likewise shines, performing her own vocals as Claire, who prior to partnering with Mike in the world of Neil Diamond homage enjoyed a successful career as Patsy Cline. The film depicts her powerfully singing Cline's songs, even though one particular Cline standard that this film interestingly misses out.
Michael Imperioli plays a Buddy Holly tribute artist called Mark, and Mustafa Shakir is a James Brown act known as Sex Machine. Ella Anderson plays Claire's teenage daughter Rachel is played by Ella Anderson, and King Princess portrays Mike’s daughter Angelina of about the same age – with their developing friendship is another underplayed aspect of the film’s likability.
Irony and satire have been meticulously excised from the account of Mike and Claire's dramatically packed life experiences, and replacing them Brewer substitutes those qualities which the pair personally would have been aware of: the fragility and isolation involved in striving for success in the margins of the music business, or for that matter succeeding in any field and in any business.
It is a never-say-die story and its cheerful optimism renders it a rich holiday delight.
Song Sung Blue is out on 25 December in the US and January 1st in Australia and the United Kingdom.
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